True Correction For A Bright Future

by Landslide Purist

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1.
Forgetwards 04:01
Hey, I’m letting you down. No matter how far I go away, you’re around. Friend, I’m watching you drown. It wouldn’t occur to me to help out, a friend. Wait, don’t try to forget. We haven’t survived yet. It’s true and hard to believe, that you are fucking with me. Incredible scenes. You, you drive me to dreams. Well, you’re in for it now. Remember how harsh you were? How you went to town, well? There’s no repairing it now. I’ll take it all out on you, ’till it’s all out. And friend, let’s stop being proud. It’s not the right thing to be, but I’m without doubts. Wait, don’t try to forget. We haven’t survived yet. It’s true and hard to believe, that you are fucking with me. Incredible scenes. You, you drive me to dreams. Yeah you, you drive me to dreams.
2.
I was alone and now we’re alone. However you’ve changed, I fully condone. I don’t know what is becoming of you but it’s becoming of you. You bite down in a clinical way. I feel what you can relate. I pipe down when you’re coming my way. I dig this difficult phase. Any attempt to see what you mean, is destined to fail. I live in a dream. I don’t know what is becoming of you but it’s becoming of you. You bite down in a clinical way. I feel what you can relate. I pipe down when you’re coming my way. I dig this difficult phase and the change. You brought it on us, oh you brought it out. You brought it on us, oh you brought it out. Tons of fun for one, I’m walking out. Take the bait, it’s great, I’m walking out. (You naysayer, you game changer, I’m walking out. The roof raises, the truth changes. And I’m walking out.) A difficult read, you’re tricky to see. I’m bursting with faith. You wouldn’t agree. I don’t know what is becoming of you but it’s becoming of you. You bite down in a clinical way. I feel what you can relate. I pipe down when you’re coming my way. I dig this difficult phase. (I dig, I dig and it’s difficult.)
3.
It’d do me good to spend some time alone ’til I remember that I’d be there. Catch an eye in the pub’s unearthly glass – that sucker’s drinking his life away. Wait, is that me? Well, it takes one to know one. What is shame? Well, it took more than luck to get you here. Scrolling thoughts takes you closer to the edge, nobody knows what the answer is. What’ll you do when the laughter dries up? Nobody knows where the exit is? What is guilt? Well, it took more than luck to get you here. What is lust? Lust is a tiny purpose. What is shame? Well, it takes one to know one. Time is cruel, it makes things seem better than they were.
4.
Hey bro, this I know, you’re gonna hear this anecdote. You might even believe it. We never know. Come here, give me your ear. I’m gonna say what you want to hear. I think you really need it. Here we go. Steve, you had to be there, Stephen. There was this time. Are you listening? There was this time. I can still see the traces we left behind. Heyho, we didn’t go. You missed so many great episodes. Your father was racist. You didn’t know. Steve, you had to be there, Stephen. Well I can’t turn on you, when I could learn from you. We talk like we’re oscillating. We thought time was just a plaything. Remember us? Remember that we were quite the bunch. Our parents were worried, and we were calm. You see, we were never warned, some of us callow, some premature. Your mother’s from Surrey, your dad from Caln. Steve, you had to be there, Stephen. We’ve grown with you, we really like you, and it’s your birthday, Steve.
5.
Atlas Vibed 04:14
6.
Guiltshire 04:43
Come along, you’re holding on. You should come to Guiltshire where I’m from. You’ll see the end, you’ll leave your friends, and then, you’re coming to live here. Now you are bound to live in Guiltshire. Go down, further down and then you’re near. I see your doubts, I found them out. I couldn’t resist them, I was sold. The past is long, the path you’re on is wrong, but all roads lead here. Now I am proud that I convinced you, to rule out other towns you haven’t been to. Our bind is borderline, Expect what’s coming. Our time has borderlines. Accept what’s coming. A town of shame. You’re sad, you came. I think you should stay and build a home. We’ll rule the land, your foolish plans, abandoned, I don’t blame you. One at a time, I’m admitting, to just some of the crimes, that I commited. Our bind is borderline, Expect what’s coming. Our time has borderlines. Accept what’s coming. We’ll call humanity out. We’ll take your family down, we’ll take your family down. (Change your residence, Serve your sentence and follow me down. Follow me down.)
7.
I’m not your prescription, baby. Even though you tried to take me. Our haunt is haunted, unlucky I know. Dark thoughts are thwarting our bodies. I told you once, lady. Hold your tongue, wait, it shouldn’t do anything. Why not take it personally? Find your own private mercenary. I’m not your physician plainly. But I’m sure that you should trust me. Our wars are raging. It’s nothing, I know. Your warmth won’t sate it. There’s something I told you once, lady. I hold your thoughts dearly. Why not take it personally? Find your own private mercenary. And I’m warning. And you’re asking. But it’s a no, it’s a no, it’s a no. It’s a no, it’s a no, it’s a no. I’ve learned now, I’ve been a bit much. You put it out there, it’s a bit much. I’m sorry guys, I’ve been a bit much. These haunted times, it seems a bit much. One thing we did you didn’t remember. But all these things I clearly remember. So many days you’ll never remember. With all your ways you wouldn’t remember. What do you recall of what we’ve done before? I recall it all. And I’m warning. And you’re asking. It’s a no, it’s a no, it’s a no. It’s a no, it’s a no, it’s a no.
8.
Tatters 08:34
I turn off all of your friends when we’re out with them. I can’t stop causing offense to your crowd, diddums. You paint me up as a saint while I mess with you. Your friends are merely fair game. I’m obsessed with you. We’re going in hard again. We’re going in hard again. Well I came to explain what you’re doing. And your fold have been told and they’re ruined. You see, I’m very polite when I speak at you. You call me every night and I weaken you. You think you know how it is but you’re just thirty. I’ve been here longer than you and I’m trustworthy. If your friends are correct, they’re still boring. ’Cause you know we’re aglow and we’re soaring. I have a plan that’s not going to work, but I’ll try it anyway just to watch myself fail. I’ll use the future to reimagine the past until it makes sense. The future’s a scary place, can I not just lie in with the curtains drawn? I’m used to it now, I’m used to it now, I’m used to it now, like watching TV with a broken screen. Unreal conditional tense – If I had have done that I’d be just the same. Nothing to be done; when the mice are away the cats are going to play. I’m used to it now, I’m used to it now, I’m used to it now, like watching TV with a broken screen.

about

True Correction For A Bright Future is the band's first release since their 2016 debut album, Get Your Hopes Down.

credits

released March 5, 2021

All songs written by Sean Talbot and Sam Wisternoff except:
Imminently Reasonable – written by Sean Talbot and Robin Allender
Tatters – written by Sean Talbot, Sam Wisternoff and Robin Allender

Recorded by Sean Talbot, Sam Wisternoff and Robin Allender in various locations
Mixed by Sam Wisternoff and Sean Talbot
Produced and mastered by Sam Wisternoff

Performed by:

Forgetwards
Robin Allender – Guitar, vocals
Charlotte Nichols – Cello
Sean Talbot – Piano, guitar, bass guitar, vocals
Sam Wisternoff – Timpani, percussion, vocals

Caroline Futures
Robin Allender – Guitar, vocals
Sean Talbot – Piano, bass guitar, vocals
Sam Wisternoff – Drums, vocals, percussion

Imminently Reasonable
Robin Allender – Guitar, vocals
Charlotte Nichols – Cello
Sean Talbot – Guitar, bass guitar, piano, drums
Sam Wisternoff – Percussion

Birthday Attack
Robin Allender - Guitar, bass guitar, vocals, synth
Sean Talbot - Piano, guitar, drums
Sam Wisternoff - Vocals, percussion

Atlas Vibed
Holly McIntosh – Bass guitar
Charlotte Nichols – Cello
Sean Talbot – Pianos, synth
Sam Wisternoff – Guitar, percussion

Guiltshire
Robin Allender – Banjo, vocals
Holly McIntosh – Bass guitar
Sean Talbot – Piano, guitar, vocals, drums, organ
Sam Wisternoff – Vocals, percussion, organ

Why Not Take It Personally?
Robin Allender – Guitar, vocals
Charlotte Nichols – Cello
Sean Talbot – Piano, bass guitar
Sam Wisternoff – Drums, vocals

Tatters
Robin Allender – Guitar, vocals, synth, samples
Sean Talbot – Piano, drums, bass guitar, guitar, organ, synth
Sam Wisternoff – Drums, organ, percussion, vocals, synth

Artwork by Sean Talbot
© & ℗ 2021 Negative Lad Records NL002

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Landslide Purist UK

Sean Talbot
Sam Wisternoff
Robin Allender

Bristol

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